b. 1980, Zhejiang Province, China

Chen Wei graduated from Zhejiang University of Media and Communications in 2002. His recent solo exhibitions include “Chen Wei: The Club” (Centre for Contemporary Photography, Melbourne, Australia, 2017); “Noon Club” (JNBY Foundation, Hangzhou, 2016) and “Chen Wei: In the Waves” (K11 chi art museum, Shanghai, 2015). Group exhibitions in which Chen has participated include “We Chat: A Dialogue in Contemporary Chinese Art” (Asia Society Texas Center, Houston, USA, 2016); “CHINA 8 - Works in Progress” (Museum Folkwang, Essen, Germany, 2015); “Performance and Imagination: Chinese Photography 1911–2014” (Stavanger Art Museum, Stavanger, Norway, 2014); “ON | OFF: China’s Young Artists in Concept and Practice” (Ullens Center for Contemporary Art, Beijing, 2013); “The 4th Seoul International Media Art Biennale” (Seoul Museum of Art, Korea, 2006). Chen is the recipient of the Asia Pacific Photography Prize at SH Contemporary in 2011.

Chen’s works is collected by Rubell Family Collection (USA); Ullens Center for Contemporary Art (Switzerland) and White Rabbit Contemporary Art Collection (Australia). He currently lives and works in Beijing, China. 

About dance / club series
Meticulously constructed and staged, often in the interior of his studio, Chen Wei’s photographic works resemble less a still life than a vacated tableau vivant, marked by a dramatic and cinematic quality. Chen’s dance / club series originates from the artist’s distrust and doubt of the psychical state of “ecstasy”. By restaging the psychedelic, almost apocalyptic, mis-en-scène of the nightclub, Chen restores a certain space between the real and the virtual, where the mechanism and destination of “ecstasy” are made legible again. Under the rapid current of modernisation and urbanisation, imported music and pop dance culture cease to be the site of sustenance and consolation for the individual to assert its existence and values; the performativity of the reinterpretation of dance reemerges under this dysfunction. Chen utilises an artificial and unstable spatial narrative to capture the collective anxiety and inquietude common in modern life.

Exhibition details of “After Party: Collective Dance and Individual Gymnastics” (14.1 - 4.3.2017)

Artist Biography

Media coverage (Kaleidoscope Asia, Spring/Summer 2016)
Media coverage (The Guardian, 30.4.2014)